Donny Barley – Eastern Exposure 3 - 1996

One of the major advantages of the long lens line is that it reveals in no uncertain terms the sheer extent of the skater’s pop. Opening this line with a seriously hefty switch fs 180, Donny goes on to negotiate his way up to backside fifty fifty on a second-tier mountain in rugged panoramic glory.


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Karsten Kleppan “Welcome To Lakai“ section + interview from issue 123